Products

Large mirror pieces rather than fine sequins, so the dress throws light in broad flashes, with soft white sleeves as the counterweight.Design DetailsA straight neckline sits below white puff sleeves resting off the shoulder. Mirrored sequin shards cover the body to a hem above...

The sequins are not one silver but several tones mixed together, picking up pink and green, so the surface never reads flat.Design DetailsA straight square neckline sits between straps set with rhinestones. Mixed silver sequins cover the body above a back closed with lacing,...

Large mirror pieces set like broken glass rather than fine sequins, so the dress throws light in flat panels instead of a fine sparkle.Design DetailsA halter neckline sits between fine straps over a back left open. Mirrored shards cover the body and run close...

The neckline is set solid with crystals for about two inches and then stops, so all the weight of the decoration sits at the bust.Design DetailsA sweetheart neckline is boned across a strapless bodice and encrusted with crystals along the top edge. Metallic fabric...

A boned corset with no decoration at all above a skirt built from deep taffeta tiers, so the contrast between the two halves is the design.Design DetailsA sweetheart neckline is boned across a strapless taffeta corset. From a dropped waist the skirt is built...

The opening at the waist is wide rather than a narrow slot, which is what makes this read as two pieces joined rather than one dress.Design DetailsA one shoulder neckline carries a single long sleeve, the other arm left bare. A wide cut out...

Two openings on the same diagonal, one cut across the bust and one across the waist, so the line runs the length of the dress.Design DetailsA one shoulder neckline is broken by a narrow slash at the bust. A wide diagonal cut out crosses...

The ruffle is cut from a crisp fabric so it holds its shape off the shoulder instead of collapsing against the arm.Design DetailsA one shoulder neckline carries a large structured ruffle across the shoulder. The crepe is shaped by seams rather than gathering, with...

One arm covered to the wrist and the other bare, with the waist opening on the covered side so the asymmetry runs top to bottom.Design DetailsA one shoulder neckline carries a single long sleeve. A cut out opens at the side of the waist,...

Nothing is applied to this one anywhere. It works on a deep V at the front, a bare back and ruching through the middle.Design DetailsA deep V neckline is held by fine straps that cross over a back left open to the waist. Ruching...

One very large bow at the waist and nothing else anywhere, which is the entire design and the reason it reads as a single idea.Design DetailsA square neckline sits between wide shoulder straps on a bodice shaped by vertical seams. An oversized bow is...

Nothing is applied to this one anywhere. It works on one clear colour, a seamed waist and a skirt cut to swing.Design DetailsA straight square neckline sits between fine straps over an open back. The crepe is shaped through a seamed waist and flares...

A warm coral that sits between pink and orange, with two openings cut on the same side of the body.Design DetailsA one shoulder neckline carries a narrow slash at the bust and a cut out at the waist beneath it. Ruching draws the jersey...

The neck ties and the back sash both fasten rather than being sewn, so the fit can be set differently each time it is worn.Design DetailsA halter neckline plunges into a deep V and ties behind the neck. The back is left open with...

Nothing is applied to this one. It works on matt crepe, crossed halter straps and the way the seams shape the body.Design DetailsHalter straps cross at the neck above a bodice shaped by vertical seams. The crepe runs close to the body to a...

A plunging V at the front and a small keyhole at the back, on matt crepe with nothing applied anywhere.Design DetailsA deep V neckline sits below short puff sleeves above a seamed high waist. The crepe runs close to the body over a keyhole...

Two pleated bands cross over the bust and part again below it, leaving a narrow opening where they separate.Design DetailsA strapless neckline is formed where pleated metallic bands cross, with a keyhole beneath over a boned bodice with visible seams. Ruching runs to a...

Cut on the bias like a slip, so the satin follows the body without being tight and the hem falls with a soft swing.Design DetailsThe neckline falls into a soft cowl between fine straps. Bias cut satin runs over the body and releases into...

The bodice is pleated by hand and crossed over at the front, so the fabric holds the shape rather than any boning doing it.Design DetailsA V neckline is formed where a pleated bodice crosses, held by fine straps above a back laced across. Organza...

The fabric is knotted at the centre of the bust with a sheer boned panel directly beneath it, so the structure is the decoration.Design DetailsBands rest below the shoulder above a bust twisted at the centre, with a boned panel left transparent under it....